Music Maestro 2 - CV

What has stayed with us from th last 4 weeks
What can we translate into music/sound from these events
What sounds have stayed with us?

Scott singularity of image and simultaneous event indication
Translation as a theme
Requiem - a Holy Mass; A Whole Mess
7movements - formal structure - a reason for producing sound
Instrument as object with certain asssociations and connotations

AC - Why is the work becoming so text based ?

CV - Things I enjoyed were the moments where text as CONTENT mattered - eg: casting text (star performers etc) / architecture o theatre as content / the mini disc imrprovisation with Scott directing with 'Sustain' and 'Reduce' etc and me DJ'ing withthe minidisc / Wendy's Theatrical Failures text with Alex PK and Scott playing

AC- There are 3 / possibly 4 ways to work with music - GO WITH IT / GO AGAINST IT / GO PARALLEL TO IT / IGNORE IT
How can we generate a non language based proceedure? I want to musicalise the performers more

Questions of opinion and taste
The first thing you do is fake it to find out about it...
Phraseology
Cadence
Symphony

AC - MUSIC IS SOUND PRODUCED TO BE HEARD
AC - Things I am interested in -
Feedback thing
How controlled are musical mistakes
Silent Moving
How to sonically plot a scene
Sonic Chinese whispers - removing the visual information

PK - Things I am interested in - DISSONANCE (see garageband file) in A minor and MULTIPLE CALCULATIONS with a sliding timescale

CV - Can we achieve divergance through repetition?
What constitutes a simgle image in musical terms - a note? a phrase? a harmonic?
Phasing and measuring time
Is a Transition in choreographic termslike a Bridge in musical terms?
Apply the Meisner Technique to music
Delay and Pauses
How to stay in the present - develop a consciousness of the tense.